What’s It About
When his partner in crime is kidnapped after pulling off a massive money heist, a notorious professional thief tracks the abductors into the territory of a merciless drug lord, pursued by dirty cops, low-level cronies, and the crime syndicate’s deadliest hitman, a gun-loving and coldly charming sociopath known as The Cowboy. But with millions of dollars and multiple lives at stake, how long will loyalty amongst thieves actually last when the bullets start flying?
MOVIESinMO REVIEW
The heist begins at a rapid pace as Fast launches onto the screen, with Stan Bush’s “Dare” offering its various 80’s action movie glitches. James Clayton, who is the director in addition to his playing the role of The Thief, ensures the use of practical effects by using real helicopters and very little CGI, even if appropriate digital explosions are incorporated as these are quite necessary owing to the challenges in production. The film follows a group of burglars who face a number of complications after they participate in a battle at a party planned by Fei Ren, who plays Nushi, and eventually escape with money. And while the money remains in their possession, there’s no escaping as they become the destination by which Mr. Ravi seeks to exploit the situations in which Mr. Don is involved with generous amnities and the various cars and chains of interests in smile inhibition lines. Some space must be dedicated to a character with the characteristic of a thief, and thus the partner of that thief, Vic – charmingly brought to life by the long-time character actor Philip Granger – more or less ends up being in an air supply short in this much dire situation. Also in the works is the snatching of this very divisive ‘Money,’ which brings Ravi and Don to such display that a less courageous man would feel offended and begin the mauled metamorphosis that would end in the powerful speech about the mishandling of imperative logistics, spatial or temporal, according to situations. In exactly no particular order, 1 two ice cream mister is up for grabs in a marketplace. Even though Tom, following the improbable coincidence, has been pressed into the service of an ice cream truck, induced by Ravi and compelled to participate, his own intuitive laughter in the prevailing anxiety is still inferred. Uproar — Cinematic costs, 90 minutes are filled with action. The culminating chase scene is flashy enough to include a semi-truck, helicopter, and multiple automobiles, with production suggesting real-life practical effects over digital replacements whenever possible. Setting aside the few CGI elements that pop up throughout the film, particularly in the gunfire sequences, everything has been integrated unobtrusively enough that they never become overtly distracting. This film is indeed an improvement from Clayton’s debut, which such increased action choreography and more animated performances. Though usually relegated to rather abbreviated sketches, the supporting cast, which includes Bradley Stryker as the henchman, is often clearly underused. Action often takes center stage over dialogue, at times sacrificing what might be subtle characters and their development. Yet among the chaos and din, The Thief slips in a surprisingly thoughtful message: Life is about “doing things”-such a simple yet powerful reminder that one should seize the moment rather than be consumed by the minutiae of daily life. The same sensibility is recreated through the retro soundtrack-a collection of ’80s-style action pop compiled by Valerie Biggin-which fits the retro sensibility to a T. Along with practical stunts and old-style vehicular mayhem, Get Fast captures the essence of classic, straight-to-VHS action films while still working within budgetary constraints in 21st-century. Get Fast isn’t going to redefine the action genre; nonetheless, it seems a humble film that exudes fun and flair. More confident behind the camera, Clayton’s approach to cinematography hints at some promise for his much-anticipated third installment chronicling The Thief’s adventures. In a time where many low-budget action films tend heavily towards CGI effects and other shortcuts, Get Fast is rather refreshing for its commitment to stunts and genuine enthusiasm.
OUR RATING – A VERY LOW BUDGET 5